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by John D. Juriga
Bob Hines was the former staff artist for the U.S. Fish and Wildlife Service (USFWS), the only person in the history of that organization to hold the title of National Wildlife Artist. Though lacking formal art training, Hines became the vehicle through which millions of citizens learned about their natural history. The American Museum of Fly Fishing is pleased to exhibit selected pieces of Hines’s artwork and artifacts related to fish and angling in their Leigh H. Perkins Gallery from June 27, 2015 until December 31, 2015.
Hines once said, “Now a lot
of people would say drawing a fish is easy.
Well, it is if you know what you are drawing. From my way of looking at it, a fish has its
own set of muscles and its own way of using them. They use their fins differently each time
they want to do something—aggressive, recessive, flying or whatever. You have to show these things if you want to
do a good job.”
(1912-1994)
1912: Robert Warren Hines is born in Columbus,
Ohio, the second son of George and Mabel Nunemacher Hines.
1916: Mabel Hines gives birth to a daughter who
lives but one day. Four year old Bob
begins drawing pictures to comfort his mother as she grieves over the loss of
her newborn.
1921: The Hines family moves to Fremont, Ohio. It is here in the northwestern corner of the
state that Bob comes of age, hunting, fishing, and camping along the Sandusky
River.
1925: Mabel Hines dies on Christmas Eve. Bob channels his grief by caring for a
backyard menagerie of animals. He also
joins the local Boy Scout troop, which acquaints him with the richness of
Ohio’s natural beauty. (Later in his
career, Hines repays his indebtedness to the Boy Scouts by illustrating the
merit badge handbook on fishing.)
1928: At sixteen years of age, Hines graduates from
Fremont Ross High School. His senior
entry in the yearbook includes the telling phrase, “The mind of a sage and the
soul of a boy.”
1929: Hines earns his Eagle Scout with Silver Palm
status. He teaches himself taxidermy,
which later gives him insight into the anatomy and motion of his future animal
subjects.
1939: A health crisis forces Hines to reevaluate
his priorities. During the darkness of
the Great Depression, he decides to return to drawing as a means of educating
the public about Ohio’s wildlife. The
state conservation commissioner hires Hines as staff artist for the Ohio
Division of Conservation and Natural Resources at a salary of $2,200 per
year. When Hines learns that his new
responsibilities will include painting with oils, he consults his former high
school art teacher. After a four day
refresher course, he learns enough about oil painting to serve him the remainder
of his professional art career.
1944: A chance meeting with Frank Dufresne, former
Chief of the Alaska Game Commission, leads to Hines’s debut as an illustrator
of books. Never having visited Alaska,
Hines fervently researches the assignment.
He labors two months on the watercolor of a leaping grayling until the
final design meets his satisfaction.
1946: USFWS Director Albert Day informs Hines that
his redhead duck design will appear on the 1946 Federal Duck Stamp. Over two million copies of the stamp are
sold, a reflection of the number of servicemen returning to civilian life after
World War II. Later this year is the release of Frank
Dufresne’s Alaska’s Animals and Fishes
with Hines’s illustrations. One reviewer
comments on Hines’s “genuine originality and unerring color sense.”
Grayling from Alaska's Animals and Fishes |
1947: Hines uses the proceeds from Alaska’s Animals and Fishes to join an
Alaska trek with members of the Outdoor Writers Association of America. Frank Dufresne is one of the trip
leaders. The Columbus Dispatch sponsors Hines.
He writes a series of articles for the newspaper regarding his
experiences in Alaska. A photograph
captures Hines fly fishing on Lake Wilson in the Tongass National Forest.
1948: With the encouragement of Frank Dufresne, now
Director of Information for the USFWS, Hines leaves Ohio, moves to northern
Virginia, and becomes a federal employee.
Rachel Carson is Hines’s first supervisor. Already a Federal Duck Stamp artist, Hines is
eager to observe the selection process for the stamp’s annual design. Appalled at the casual, subjective nature of
the procedure, he proposes an open competition with stated rules, guidelines,
and impartial judges—the format that remains in use today.
1951: Following the commercial success of The Sea Around Us, Rachel Carson resigns
from the USFWS. She and Hines
collaborate on a study of marine life along the Atlantic coast.
1955: Rachel Carson’s The Edge of the Sea, illustrated with Hines’s pencil drawings, is
released and reaches number two on the New
York Times bestseller list.
1956: Release of the first U.S. postage stamps
featuring American wildlife. Hines’s
monochromatic images of wild turkey, pronghorn antelope, and king salmon grace
the first three stamps. The press run
for the series, which exceeds 500 million stamps, introduces the term conservation before it enters the
national vocabulary.
1957: Release of Hines’s tricolor whooping crane postage
stamp. A British philatelic survey names
it one of the ten best stamps in the world for that year.
1963: Release of Ducks at a Distance, Hines’s primer of North American waterfowl
identification. Rejected by five
commercial publishers, the booklet sells over two million copies for the
Government Printing Office.
1965: Release of Waterfowl Tomorrow, a study of waterfowl biology illustrated with
Hines’s pencil drawings.
1966: Release of Birds in Our Lives, a discussion of the various ways that birds
impact our society. The book,
illustrated with Hines’s drawings, features his full color painting of a bald
eagle on the frontispiece.
1971: Release of Sport Fishing USA. Hines’s
color plates depict the habits as well as the habitats of the various fish
species. One reviewer comments on
Hines’s “accuracy and meticulous detail.”
The fish images become a popular series of collector’s prints. Later that year, Secretary Rogers C.B. Morton
presents to Hines the Distinguished Service Award from the Department of the
Interior. The citation states “Mr. Hines
possesses a remarkable visual perception. . . . He paints wildlife in the act
of being alive.”
1972: Ohio Congressman Delbert L. Latta reads into
the Congressional Record: “The
Department of the Interior can be proud to have Mr. Hines on its staff, for his
service to his fellow Americans is priceless.”
1975: Hines illustrates Fifty Birds of Town and City.
His bird images likewise become a series of collector’s prints. The Abercrombie and Fitch Company selects
Hines’s painting of an Atlantic salmon for the National Fish Stamp.
1976: During the American bicentennial year, the
Government Printing Office releases a reproduction of Hines’s bald eagle
image. Titled “The Symbol of Our
Nation,” the print sells over 100,000 copies.
1979: Release of a revised edition of Migration of Birds, enlivened with
Hines’s color illustrations. A colleague
notes, “those paintings glow with color, almost movement.”
1981: Hines retires from the USFWS after thirty two
years with that organization.
1991: Release of the fiftieth anniversary edition
of Rachel Carson’s first book, Under the
Sea-wind. This is Hines’s last major
commission. The museum at the Department
of the Interior in Washington, DC, hosts an exhibit of Hines’s artwork.
1994: Hines dies on November 7, 1994, at age 82 of
pneumonia superimposed on chronic lung disease.
There is no obituary published, no public funeral service. In an interoffice USFWS memo a colleague
notes that Hines’s “practiced eye could see the incredible details in a sunset
or the breast of a wild turkey.”
anyone who orders a copy of the Hines book from Beaver’s Pond Press can enter hines as the code for an additional discount.
* * * * *
Copyright John D. Juriga,
2015.
"The History Makers" the AMFF's monthly feature of people who are impacting or have impacted fly fishing history. If you have an image and profile of someone you think we should feature, click here to submit that information for consideration.
"The History Makers" the AMFF's monthly feature of people who are impacting or have impacted fly fishing history. If you have an image and profile of someone you think we should feature, click here to submit that information for consideration.
you should update your article. you should add 2000 also i think
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